- Débora Delmar, "Stressed, Blessed and Coffee Obsessed", exhibition view GALLLERIAPIU, 2019, courtesy GALLLERIAPIU e l'artista. Foto di Stefano Maniero
- Débora Delmar, "Exclusive Provider 1/2 (Marble Dispenser), 2017, courtesy GALLLERIAPIU e l'artista. Foto di Stefano Maniero
- Débora Delmar, "Total Living", 2019, courtesy GALLLERIAPIU e l'artista. Foto di Stefano Maniero
- Débora Delmar, "Stressed, Blessed and Coffee Obsessed", exhibition view GALLLERIAPIU, 2019, courtesy GALLLERIAPIU e l'artista. Foto di Stefano Maniero
- Débora Delmar, "Daily mirror (Instagram Archive), 2019, courtesy GALLLERIAPIU e l'artista. Foto di Stefano Maniero
- Débora Delmar, "Stressed, Blessed and Coffee Obsessed", exhibtiion view GALLLERIAPIU, 2019, courtesy GALLLERIAPIU e l'artista. Foto di Stefano Maniero
- Debora Delmar Corp., "MINT", 2016, DE, courtesy of Berlin Bienniale
- Débora Delmar, "Consumer Influence", 2017, MX, courtesy of Páramo
- Debora Delmar Corp., "Upward Mobility", 2015 courtesy of Modern Art Oxford, UK Photographer Ben Westoby
- Debora Delmar Corp., "Body Blend Trade Culture", 2014, MX, courtesy of Museo Universitario del Chopo
Débora Delmar
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Débora Delmar (1986, Mexico City) lives and works in London where she completed the Postgraduate Programme at the Royal Academy of Arts. She previously attended the School of Visual Arts in NY. Delmar’s work investigates the effects of globalisation on everyday life in relation to consumer culture and society. She is particularly focused on the societal consequences, such as issues of class, cultural hegemony and gentrification. This is born from the omnipresent influence of the United States in Mexico, and in the wider world. Her work examines the contextual value of goods, analyzing their production, distribution, consumption and disposal. Within her installations Delmar references corporate architecture, non-places and multinational chains that utilize homogenized minimalist aesthetics. These are commonly composed of a variety of media ranging from photographic prints or modified appropriated objects, to commissioned hand painted signs and carved sculptures. She often also incorporates immaterial components within exhibitions such as sound, scent and situations. The work of Débora Delmar has been presented in solo and group exhibitions including the 9th Berlin Biennale (Berlin), Museo Universitareo del Chopo (Mexico City), Modern Art Oxford (Oxford, UK), Museum of Modern Art (Warsaw), Museum of Contemporary Art Denver (Denver), Museo de Arte Contemporaneo de Oaxaca- MACO (Oaxaca), Bikini Wax (Mexico City).